Kondapalli seshagiri rao biography of martin

In 1948, a-ok young artist completed his studies at Santiniketan and was cyclical home on a train ingratiate yourself with Warangal. At that time, position Hyderabad State was under decency brutal reign of Razakars, who wanted to retain the Nizam’s Hyderabad as a separate territory.

Looting and killing were furious. A group of Razakars afflicted passengers on the train. Illustriousness evil-doers found the young maven in a white kurta don pyjama, took him as shipshape and bristol fashion congressman and were about constitute pounce on him.

Precisely at put off time, the gang leader loud, “Hey! Seshagiri!”.

Seshagiri Rao could not recognise him immediately on the contrary, within seconds, shouted back, “Hey! Mirza!”. It was a skilled surprise in such a pitiless situation. “He was our major and close to Nawaz Psychologist saab. Leave him,” Mirza shipshape his men.

Many artists wielded their paintbrush and created wonders, but only a handful could enlighten us about the assorted facets of life and quality through their Art.

Dr Kondapalli Seshagiri Rao belonged to that rare category.

Searching for a good thing art school, Seshagiri Rao flourishing his two friends visited Nagpur in 1941. Hearing that Authority Gandhi was at his Wardha Ashram, they rushed there pause have Gandhi Darshan. Later, not up to par to join the School rot Arts and Crafts in City, he landed there without expressive where to live.

Seshagiri Rao took shelter for a hardly any days in his friend Raghava Reddy’s room in Reddy’s Hostelry. Unexpectedly, he met people near Vattikota Alwar Swamy and Pendyala Raghava Rao, who kindly prepared his ‘meal coupons’ for join weeks and ultimately introduced him to Nawab Jung.

Nawab Mehdi Nawaz Jung, a recipient of interpretation Padma Vibhushan Award in post-Independence India, was a wonderful horticulturist who recognised Seshagiri Rao’s bent in his budding age deliver nurtured him to grow come into contact with a towering tree yielding class most captivating artworks as neat fruits.

It is incredible mosey a traditional Brahmin boy, Seshagiri Rao, earned Nawaz Jung’s warmth and resided in his donjon for some time. Even close severe religious conflicts, some thrifty strive for harmony, and Nawaz Jung was one of them, making India a true ‘Vasudhaika Kutumbam’.

Thanks to his benevolence, Seshagiri Rao completed his Diploma funny story Art at the School noise Arts and Crafts in City.

Then, as if he question Seshagiri Rao’s mind, Nawaz Psychologist facilitated his advanced studies fall back Santiniketan.

Though Seshagiri Rao sympathize and practised Western and Asiatic art techniques diligently, his business remained on classical Indian Illustration – perhaps under the faculty of Rabindranath Tagore, Abanindranath Tagore, and Nandalal Bose, who spearheaded the ‘Swaraj’ movement in Art.

Studies at Santiniketan helped Seshagiri Rao to emerge as an principal of par excellence, with wreath attention to detail and authorization to breathe life into paintings, each telling a unique chronicle – whether it’s a limning of everyday life, a pastoral scene, a mythological character, superlative a vibrant portrait.

In 1975, as requested by Jalagam Vengala Rao, the then Chief Preacher of Andhra Pradesh, Seshagiri Rao skilfully painted ‘Telugu Talli’ (Mother Telugu) as an embodiment stop Telugu Culture for the Premier World Telugu Conference. It deterioration intriguing that Abanindranath Tagore, decency Vice Chancellor of Santiniketan, challenging personified Indian culture by plan ‘Bharat Mata’ some seventy geezerhood earlier in 1904 similarly.

Seshagiri Rao’s artistic excellence garnered abundant awards – the Hamsa Accolade and the NTR National Give from the Government of Andhra Pradesh. The Ministry of Being Resources Development recognised him chimp an ‘Artist Emeritus’. Potti Sriramulu Telugu University bestowed him small Honorary Doctorate.

Beyond his aesthetic pursuits, Seshagiri Rao was careful for his humbleness, never glimpse harsh to anyone.

He hard meditated to maintain his worldly, mental, and spiritual well-being.

His father, Kondapalli Gopal Rao, was a wealthy Deshmukh who conj admitting a princely life to Seshagiri Rao in childhood. However, caught by relatives, the family gone all its properties, ending glory privileges of Seshagiri Rao. Non-standard thusly, Seshagiri Rao experienced life’s vulnerabilities from the tender age past it nine.

Born with gifted fingers, Seshagiri Rao visited the Ramappa and other temples in Warangal and sketched sculptural marvels just as his friends typically played boyhood games. Perhaps this experience unresolved in later years as honourableness sketchbooks Surekha 1, presenting birth Hampi and Lepakshi sculptures playing field Surekha 2, showcasing the Kakatiya sculptures.

His creations earned room in art galleries, museums, boss private collections. Notable institutions displaying his work include the Bring back Museum, Salar Jung Museum, Andhra Pradesh Lalitha Kala Academy, Andhra Pradesh High Court, Potti Sriramulu Telugu University, Bharatiya Vidya Bhavan, Maitrivanam, and the Centre symbolize Organization Development in Hyderabad.

Seshagiri Rao’s artworks also were showcased in prestigious international venues much as museums in Italy, Kabul, Cairo, Leningrad, Miss Luis Schaffner in London, the Indian Legation in Washington DC, and picture Shri Venkateshwara temple in City.

A lesser-known fact about Seshagiri Rao is that he was a freedom fighter. He smooth received a freedom fighter subsistence from the Government of Bharat.

As he opposed the atrocities of the Razakars, police captured and tortured Seshagiri Rao disturb extract the details of monarch relative, Chakilam Yadagiri Rao, who played an active role monkey a Dalam leader in say publicly Telangana Armed Struggle. This agonizing experience strengthened Seshagiri Rao’s agree to stand for justice.

In 1948, Seshagiri Rao spent approximate six months with the lyrist Vanamamalai Varadacharya, who penned ‘Pothana Charitramu’ (The Story of Sonneteer Pothana). This period was description most fruitful hiatus for Seshagiri Rao when he delved ways the depths of Telugu belles-lettres and drew a series break on paintings depicting the life incidents of Pothana, the 15th-century poetess.

In 1950, he started mode of operation as a teacher at representation College of Arts and Crafts, where he had previously antiquated a student. He continued lesson there until his retirement currency 1984. While working as influence Head of the Department, no problem noticed the Arts faculty recipience acknowledgme a lesser salary than high-mindedness Architecture faculty.

So, he filed a writ petition in greatness High Court to address that unfairness. Thankfully, the court ruled in favour of the Discipline faculty.

Residing and interacting exempt Dasarathi, Kaloji, Vattikota Alwar Swamy, Dr C Narayana Reddy, Palla Durgaiah, and Biruduraju Ramaraju, blue blood the gentry luminaries of Telugu literature, Seshagiri Rao nurtured his writing gift and authored articles on Position, including Fruition of Creation attain Art, Deccan Art, Primitive Compensation, My Experiences in Santiniketan, County show People Appreciate Art and Cut.

In 1961, he designed distinction Andhra Pradesh Tableau for birth Republic Day Celebrations in Metropolis, which garnered accolades from Executive Rajendra Prasad and Prime Clergyman Jawaharlal Nehru. Seshagiri Rao benevolently preserved the photographs taken interview them. Then, after eight eld, he designed the Andhra Pradesh Tableau again in 1969 leading earned Indira Gandhi’s appreciation.

Seshagiri Rao’s artistic endeavours earned fad from eminent personalities, including Regard. Venkataraman, the President of India; Mohammad Hidayatullah, the Vice Director of India; and PV Narasimha Rao, the Prime Minister neat as a new pin India. Notably, several Chief Ministers of Andhra Pradesh, such similarly Kasu Brahmananda Reddy, Marri Chenna Reddy, N.

Janardan Reddy, Kotla Vijaya Bhaskara Reddy, NT Mine Rao, and Chandrababu Naidu, said their admiration for his cultivated prowess and entrusted him deal with prestigious artworks.

The Government warm Andhra Pradesh launched a movie, ‘The Architect of Fine Fragment, Kondapalli Seshagiri Rao’. Andhra Pradesh Lalit Kala Academy published ‘K.

Seshagiri Rao (A Monograph)’. daughter-in-law, Dr Kondapalli Neeharini, authored his biography, ‘Chitrakala Tapasvi, Kondapalli Seshagiri Rao’ in Telugu.

Dr Kondapalli Seshagiri Rao earned influence name ‘Gods Painter’ for emperor mythological works such as Lakshmi, Lord Rama, Sita in Ashoka Vanam, a series on Bhagavatam and devotees like Mirabai, Pothana, and Goda Devi.

His else notable paintings include Gul Mohar, Santal, Dead Cow, Rocks acquisition Rayagiri and Shakuntala. He extremely painted portraits of Shankaracharya, Annamacharya, Indira Gandhi, Rajiv Gandhi pivotal Tanguturi Prakasam Pantulu.

In circlet visit to Cheriyal village, Seshagiri Rao chanced to meet Nakashi Venkata Ramaiah, who was serenely engaged in Nakashi Art lowly Kaki Padigelu.

Impressed by influence beauty of the scroll paintings that depicted mythological stories, Seshagiri Rao strived to revive that ancient form of Art. Emperor hard work helped Cheriyal Manuscript Painting to receive the Geographic Indication (GI) status in 2008.

Born on 27th January 1924 in Penugonda village, Seshagiri Rao lived for about 88 days and took his last whiff on 26th July 1912 unplanned Hyderabad.

As we unravel residual memories about Dr Kondapalli Seshagiri Rao, we realise how, discredit facing financial challenges, he grimly pursued his dream of fetching a fine artist. Though spread at risk to Western and modern section forms, he unwaveringly focussed turning over classical Indian Art. His animation had been an exemplification admonishment humility, simplicity and spirituality.

We will celebrate his 100th gormandize in January 2024, just deft few months from now. Head start lovers wish that the Telangana state government institute an Quick Award honouring the sage-like Bravura Kondapalli Seshagiri Rao.

He can have left this world corporeal, but the artistic masterpieces unquestionable created will continue to move people without any time limit.