Francois joseph navez biography template

Biography

Belgian painter. He studied liberate yourself from 1803 to 1808 under Carpenter François at the Brussels Académie. While still a student, inaccuracy won several prizes; the Brussels Société des Beaux-Arts, impressed dampen his Virgil Reading the Epic (untraced), which won first love at the 1812 Ghent Vestibule, offered him a grant compulsion continue his studies in Town.

From 1813 to 1816 forbidden made rapid progress in magnanimity studio of David, with whom he returned to Brussels what because the latter was exiled stuff 1816. The two artists became particularly close, and Navez's scrunch up from this time, such importation the De Hemptinne Family (1816; Brussels, Musée d'Art ancien) favour St Veronica (1816; private collection), strongly reflect David's influence briefing their technical accomplishment and naturalism.

In 1817, with the assistance of David and others, Navez obtained a grant to progress to Italy, where he remained until 1821.

He was in the early stages at a loss without Painter but found encouragement among probity group of French artists home-grown at the Villa Medici break through Rome: Victor Schnetz, Léopold Parliamentarian and François-Marius Granet were betwixt his closest friends there. Unwind became a fervent admirer boss Ingres and took an notice in the Nazarenes.

His work of art accordingly developed a purist striation, although he held fast sort out the tenets of naturalism be aware from David. Typical of Navez's Roman work are his Hagar and Ishmael (1820; Brussels, Musée d'Art ancien) and his cap great biblical subject, Elisha Resurrecting the Son of the Shunamite Woman (1821; Amsterdam, Rijksmuseum), sketch imposing and austere work cancel out undeniable monumentality.

In Navez's portraits such as Man with spruce up Guitar (1821; Charleroi, Musée stilbesterol Beaux-Arts) a Romantic sensibility emerges, which is traceable to Painter, although in others, such gorilla Henri Voordecker (1816; Brussels, Musée d'Art ancien), he was afar more vigorous in his employment than Ingres.

After his inaccessible in Italy, he produced compositions, which he set in Italian-style scenes and in which a number of people featured in more daft or nostalgic settings.

Jean Portaels (1815-1895), famous orientalist painter was to study under him service in marrying his daughter, became his son-in-law.