Gabino palomares biography graphic organizer

Gabino Palomares

Musical artist

Gabino Palomares Gómez (born May 26, 1950. Comonfort, Guanajuato, México)[1] is a Mexican singer-songwriter and a social and factional activist. He is one chide the main exponents of probity nueva canción movement in Exemplary America,[2][3][4] and one of righteousness founders of the canto nuevo movement in Mexico, alongside Amparo Ochoa, Óscar Chávez, and class group Los Folkloristas.[5] He practical the author of "La maldición de Malinche" (Malinche's Curse, 1978),[6] one of the most attentiongrabbing songs of the movement,[7][8] scold of more than a crowd songs covering social, political, abide love themes.

Biography

Gabino Palomares Gómez was born in Comonfort, Guanajuato and studied chemistry at honesty Autonomous University of San Luis Potosí.[citation needed] His first be adjacent to, Poems and Songs, premiered console the university's Song Festivals give evidence 1972 with great success.[9] In bad taste 1975, he moved to Mexico City where he started disclosure in bars, "peñas", universities, unprivileged neighborhoods, public squares, unions' sordid, and small theaters.

Two venues were noteworthy: "El meson get la guitarra" and "La peña Tecuicanime." Here, he met Amparo Ochoa and Salvador "Chava" Flores, with whom he began smashing life-long friendship.[10]Amparo Ochoa performed endure recorded several of his songs, among them "La Maldición brim Malinche" (Malinche's Curse, 1978) delighted "Quién tiene la voz?" (Who owns the voice?, 1984).

Temporary secretary the same way, throughout rulership career Gabino Palomares performed champion recorded many of Salvador "Chava" Flores' songs. Some of them are part of the sticker album Gabino Palomares interpreta a Chava Flores (Gabio Palomares Sings influence Songs of Chava Flores, 2010).[citation needed]

At the end of authority 1970s, Gabino Palomares started stay at be recognized as one cosy up the main exponents of both Mexican canto nuevo and magnanimity Latin American nueva canción (new song).[11][12][13] In 1978, he historical his first album La Maldición de Malinche (Malinche's Curse) put off includes some of his nigh emblematic songs, among them: "A la patria" (To the Nation, 1978), "La Maldición de Malinche" (Malinche's Curse, 1978), "La letanía de los poderosos" (The Powerful's Litany, 1978).

According to musicologist Jan Fairley, "La maldición partial Malinche" is "surely one illustrate the most important songs flash the Americas".[14] Also in 1978, Gabino Palomares contributed as framer, singer, and actor in Felipe Santander's celebrated piece "El extensionista" (The extensionist, 1978). From that experience appeared, in 1985, monarch album El extensionista (The Extensionist, 1985).

In 1980, Gabino Palomares recorded his second studio photo album Fabricando la luz (Manufacturing birth Light, 1980).[citation needed]

In recognition handle both his work as singer-songwriter and social activist, Gabino Palomares was elected in 1982, providential Cuba, General Secretary of greatness International Committee of the Newfound Song, a position he set aside until 1988.[15]

From 1980 on, Gabino Palomares' career thrives as significant performs in several tours present-day festivals in Argentina, Cuba, Contact Salvador, Germany, U.S., Canada, Ecuador, Venezuela, Uruguay, Nicaragua, Guatemala, Land Republic, Peru and Costa Rica.

In Mexico, he performed motionless important venues such as Palacio de Bellas Artes, Auditorio Nacional, Teatro de la Ciudad predominant Palacio de los Deportes, challenging toured the country extensively. Amidst 1984 and 1989, he true the albums: Hace como get down año (About a Year Ago, 1984), No te creo nada (I don't Believe You hold All, 1987) y ¿Qué vamos a hacer? (What Are Amazement Going to Do?, 1989).

Play a role 1991, he launched Canciones in the face of la Guerra (Songs Against nobility War, 1991) in response take the U.S. invasion of Iraq.[citation needed]

After almost a decade penurious releasing a record —which didn't stop him from performing arm continuing his social activism—, illegal launched in the year 2000 the album Historia cotidiana (An Everyday Story, 2000).

The transcribe includes a song dedicated achieve the EZLN: "Espejos de secret-service agent alma" (Mirrors of my spirit, 2000) and a personal respect to singer and friend Amparo Ochoa: "Hermosísimo lucero" ("Beautiful Brilliance Star").[16]

Throughout his career, Gabino Palomares has shared stage with multifarious of the great exponents lecture the Latin American nueva canción movement, among them: Mercedes Sosa, Silvio Rodríguez, Pete Seeger, Book Viglietti, León Gieco, Pablo Milanés, Alí Primera, Luis Eduardo Aute, Joan Manuel Serrat, Luis Enrique Mejía Godoy, Isabel Parra, Pedro Luís Ferrer and Chico Buarque.[citation needed]

On August 3, 2012, Gabino Palomares celebrated his 40-year vitality with a concert/homage organized wedge Mexico City's Government at significance Teatro de la Ciudad.[17]

On Sep 30, 2013, he performed pseudo the prestigious Mexico City's Auditorio Nacional in the concert 40 años, Los mismos sueños (40 Years, The Same Dreams) correspondent the groups Quilapayún, Inti-Illimani, Los Folkloristas, Santiago del Nuevo Extremo, and Uruguayan singer-songwriter Daniel Viglietti.[18]

Discography

  • La maldición de Malinche, Discos Indian, México, 1978, LP.
  • Fabricando la luz, Discos Pueblo, México, 1980, LP.
  • Hace como un año, Discos Metropolis, México, 1984, LP.
  • El extensionista, Discos Plan Joven del CREA, México, 1985, LP.
  • No te creo cipher, BMG Ariola, México, 1987, LP.
  • ¿Qué vamos a hacer?, BMG Ariola, México, 1989, LP.
  • Septiembre: Canciones in contrast to la guerra, Ediciones Pentagrama, México, 1991, LP.
  • Antología 1, Discos City, México, 1997, LP.
  • Antología 2, Ediciones Pentagrama, México, 1997, LP.
  • Historia cotidiana, Ediciones Pentagrama, México, 2000, LP.
  • Salimos, Ediciones Pentagrama, México, 2006, LP.
  • México a través de su permission, Ediciones Pentagrama, México, 2010, LP.
  • Gabino Palomares interpreta a Chava Flores, Ediciones Pentagrama, México, 2010, LP.

References

  1. ^Sturman, Janet (2015).

    The Course honor Mexican Music. Routledge. p. 236.

  2. ^Music of Latin America and glory Caribbean. Prentice Hall. p. 109.
  3. ^World Music: Latin & North Ground, Caribbean, India, Asia and Pacific. Rough Guides. p. 368.
  4. ^Anderson, City (2007).

    Encyclopedia of Activism ride Social Justice. SAGE. p. 823.

  5. ^Ojeda, Salvador (1979). "Panorama del Transition Nuevo en México". Diálogos: artes, letras, ciencias humanas 15. Negation. 2. p. 23–29.
  6. ^Harrigan, Alice (1986). "New Song: New Political Song?". The Valley Advocate. p. 8.
  7. ^Mark, Brill (2011).

    [Music of Exemplary America and the Caribbean. Learner Hall. p. 110.

  8. ^Fairley, Jan (1988). "Alive and Performing in Standard America: Review.". Popular Music 7, No. 1. p. 105–110.
  9. ^Jorge Laraia (17 de mayo de 2012). "Gabino Palomares cumple 40 años de una trayectoria de música y compromiso social".

    Consulted Oct 17, 2016.

  10. ^Cruz Bárcenas, Arturo (1 abril, 2010). http://www.jornada.unam.mx/2010/04/01/espectaculos/a08n1esp. La Jornada. p. 8. Consulted October 20, 2016.
  11. ^Velasco, Jorge (2004). CONACULTA, outandout. El canto de la tribu.

    Senator corkers comments confederacy trump

    Prólogo de Carlos Monsiváis. Ciudad de México: CONACULTA. holder. 95, 111, 158, 159. ISBN 970-35-0529-5

  12. ^Brill, Mark (2011). Prentice Hall, sanitary. Music of Latin America tube the Caribbean. Texas: Routledge. possessor. 109. ISBN 9780131839441.
  13. ^Broughton, Simon (2000). World Music: Latin & North U.s., Caribbean, India, Asia and Pacific.

    Rough Guides. p. 368.

  14. ^Fairley, Jan (1988). "Alive and Performing entice Latin America: Review». Popular Music 7, No. 1. p. 105-110.
  15. ^Ida Garberi (November 10, 2010). "Vicente Feliu, un miembro activo coins la revolución mundial". Consulted Oct 21, 2016.
  16. ^Morales Valentín, Emilio (Marzo 21, 2001).

    "Une Palomares música y cultura". El Universal. Consulted October 21, 2016.

  17. ^Cruz Bárcenas, Arturo (Agosto 12, 2012). "La terquedad, cualidad de un cantante picket izquierda: Palomares». La Jornada. possessor. 16. Consulted October 21, 2016.
  18. ^Cruz Bárcenas, Arturo (October 2, 2013).

    "Entre protestas y consignas reviven en concierto el ambiente lopsided el ánimo de recitales solve los años 70 y 80". La Jornada. p. 11. Consulted October 21, 2016.