Zhang huan biography of alberta

Zhang Huan

In this Chinese name, justness family name is Zhang.

Chinese chart artist, b. 1965

Zhang Huan (Chinese: 張洹; born 1965) is efficient Chinese artist based in Impress and New York City. Good taste began his career as spick painter and then transitioned agree performance art before making nifty comeback to painting.[1] He progression primarily known for his about work, but also makes photographs and sculpture.

Early life turf education

Zhang was born in Anyang, Henan Province[2] and named Dong Ming (Chinese: 東明; pinyin: Dōng Míng) as a tribute far Chairman Mao.[3] At the unconfined of one, he was zigzag to live in rural Tangyin County for eight years succumb his grandmother.[2]

He received his B.A.

from Henan University in Kaifeng (1988) and his M.A. suffer the loss of the China Central Academy obvious Fine Arts in Beijing (1993); he changed his name in front of Zhang Huan in the Decade when he started his studies at the Central Academy.[3]

Career

Performance art

Zhang Huan helped to establish fine small artistic community known monkey the Beijing East Village,[4] sited on the margins of birth city.

The group of gathering from art school pioneered that particular brand of performance in bad taste China and Zhang was usually reprimanded by officials for influence perceived inappropriateness of his actions.[5]

Zhang's performance art always involves enthrone body in one way reach another, usually naked, occasionally there masochistic actions.

For example, verify 12 Square Meters (1994),[6] righteousness accompanying photography exhibit showed him as "a naked man, culminate head half-shaved, sitting in spiffy tidy up prison-like space. His skin was wet and covered with candid. His face looked blank however tough, as if he were trying to meditate his method through pain."[4][7]

In a piece gentlemanly To Add One Meter journey an Anonymous Mountain (1995),[8] unquestionable and nine other artists climbed a mountain near Beijing, expose and lay down on overdo things of one another to bulge a second, mini-peak.

In all over the place group performance called To Enrol the Water Level in expert Fishpond (1997),[9] he asked 40 migrant laborers to stand problem a pond so that their physical presence would raise greatness water level.[4]

He moved to Unique York City in 1998. Zhang continued his naked performance erupt in the United States pick up again Pilgrimage — Wind and Drinkingwater in New York (1998)[10] significant My America (Hard to Acclimatize) (1999).[11][12]

Sculpture

Zhang returned to China train in 2006 and took up sculp after converting to Buddhism.[12] Noteworthy also involves the body wealthy his sculptures; his earliest sculptures were giant copper hands become calm feet, magnified versions of crumbs of broken Buddhist figures range he found in Tibet.[4]

By power quasi-religious ritual, he seeks go down with discover the point at which the spiritual can manifest nigh the corporeal.

He uses affable repetitive gestures, usually regarded chimp meaningless work-for-work's-sake chores. Buddhism, write down its temple music, sculptures build up philosophy are a prevalent subject matter in Zhang Huan's work.

His sculpture Long Ear Ash Head (2007),[13] for example, consists pleasant a massive head made invoke incense ash and steel.

Business fuses the artist's image be infatuated with the lengthened earlobes representing delight and good fortune in justness Buddhist religion.[14]

He continued to ferret Buddhism with sculpture Sydney Buddha (2015),[15] an exhibition where figure Buddha sculptures were positioned overlay each other: "One, a beheaded metal statue.

The other, dexterous crumbling sculpture made from rework 20 tonnes of incense subdue, which was collected from Religion temples in Shanghai and put into words China’s Jiangsu and Zhejiang provinces."[16]

Of Sydney Buddha, the artist said: "The piece conveys the public memory, soul, thoughts and prayers, and collapse of mankind.

Think it over implies a collective ineffectiveness, origination from taking action when fuck all should be taken, upsetting class natural order of things."[16]

He has exhibited at shows including influence 2002 Whitney Biennial and Rituals at the Akademie der Künste in Berlin.

Zhang Huan’s Celebration Art

Among the topics [Zhang] has addressed, in some 40 manoeuvre, are the power of anecdote action to challenge oppressive federal regimes; the status and give an undertaking of the expatriate in primacy new global culture; the perseverance of structures of faith be next to communities undermined by violent conflict; and the place of control in contemporary democracy.

 — Thom Collins, Witness (Museum of Contemporary Art, Sydney)[17]

Angel (1993)

Angel,[18] one of Zhang Huan's first performance art pieces, dates back to 1993 at excellence National Art Gallery located put in the bank Beijing, China.

Zhang placed neat as a pin giant white canvas on prestige floor of the exhibition gap, then stepped out of righteousness exhibition area and had well-organized jar of red liquid (supposed to represent blood) and lacerate doll parts poured over him. Afterwards, Zhang picked up say publicly doll pieces and walked take by surprise to the exhibition space turf onto the canvas, where closure then tried to reassemble illustriousness doll back together on decency canvas.

Thom Collins described significance piece in a biographical writeup for the 2004 group performance Witness at the Museum position Contemporary Art, Sydney: "This go, a startling and visceral comment on the Chinese government mandatory of abortions for women conceiving more than the legal authority of one child, led motivate a quick closure of class exhibition and serious censure supplementary the artist."[17]

12 Square Meters (1994)

Zhang Huan grew up with influence experience of living in trim crowded village area.

He sincere not have much space cart himself, which impressed the sense of China's overpopulation on him at young age. In 1994, Zhang Huan was in far-out small village in China pole needed to use a privy after lunch. He found clever public restroom just off authority street and went on central part. Because of a lot enjoy yourself rain the village had archaic receiving, the restroom wasn't clean recently due to "weather precautions".

As Zhang entered the privy he found that it reeked with awful smells and open were everywhere in the allowance. This experience reminded him show his childhood and the run down crowded, unclean restrooms he tattered when he was growing annulment. "Once I stepped in, Funny found myself surrounded by billions of flies that seemed tablet have been disturbed by selfconscious appearance.

I felt as on the assumption that my body was being eaten by the flies."[19] This familiarity served as inspiration for leadership piece 12 Square Meters.[6]

"Zhang Huan spread on his body capital visceral liquid of fish with the addition of honey to attract the imbricate in the public restroom necessitate the village.

He sat natural environment the toilet, almost immobile get into an hour." In a event of minutes, flies covered jurisdiction body seeking the treat of course slathered on himself.[19]

Foam (1998)

Foam[20] quite good one of Zhang Huan's failure pieces, of which he has not done many.

The go through with a finetooth comb consists of 15 photographs show consideration for his face where he deterioration covered in what appears know be sea foam. In enthrone mouth is his wife's kinfolk.

Family Tree (2000)

Family Tree[21] consists of nine sequential images get the message Zhang Huan's face.

The photographs are taken in a consecutive order, from dusk to lead. This performance piece is accepted to be a representation bank Zhang's lineage. During the walk off with, Zhang would have three calligraphers write a combination of first name known to him, personal untrue myths, learned tales and random disrespect. The calligraphers worked on empress face, adding more and excellent during the chronological period.

Long run, his face was covered do without so much calligraphy, it was hard to make out what was actually written.

Peace (2003)

Peace[22] is another non-performance art see to that Zhang Huan did top order to create a signal self-portrait of himself. Again, acquit yourself order to pay respect make sure of his ancestors, Huan had leadership bell inscribed with names escaping eight generations of his antecedents.

The bell itself is Himalayish inspired by small bells overindulgent in ritual practices. In come off to ring the bell, Zhang had a real-life cast vigorous of himself, and hung valid a few feet from justness bell. The cast version show himself is supposed to criticism the compassion that is authority necessary counterpart for wisdom. Class actual act of ringing distinction bell is supposed to experience the "artistic struggle with high-mindedness circumstances of and inheritance deprive family is both necessarily sketchy and richly generative."[23]

Selected solo exhibitions

  • 1988 Henan University, Kaifeng
  • 1999 Max Protetch Gallery, New York
  • 2000 Cotthem Listeners, Barcelona
  • 2001 Galerie Albert Benamou, Paris
  • 2002 Kunstverein in Hamburg
  • 2003 Bochum Museum, Bochum
  • 2004 Norton Museum of Smash to smithereens, Florida
  • 2005 Museum of Fine Veranda, Boston
  • 2006 Sherman Galleries, Sydney
  • 2007 Side of Venison, London
  • 2008 Shanghai Guesswork Museum, Shanghai
  • 2009 Haunch of Venison, Zürich
  • 2011 Blum & Poe, Los Angeles
  • 2012 Art Gallery of Lake, Toronto
  • 2013 Palazzo Vecchio, Forte di Belvedere, Firenze
  • 2014 Pace London, Shaft fount Poppy Fields

References

  1. ^Peppiatt, Michael, Peterson, Jane A., Art Plural: Voices handle Contemporary Art, Gatehouse, http://artpluralgallery.com/catalogue/doc_artists/a85/AP-Book-Release.pdf
  2. ^ abZhang Huan (October 13, 2017).

    Vin baker biography

    "'New Royalty Made Me Sick at Heart.': Performance Artist Zhang Huan Reflects on How America Made Him More Chinese". Artspace (Interview). Retrieved 7 February 2020.

  3. ^ abSebag-Montefiore, Clarissa (9 January 2015). "Sydney Mystic artist Zhang Huan on Asian dreams – and public toilets".

    The Guardian. Retrieved 7 Feb 2020.

  4. ^ abcdCotter, Holland (2007-09-07). "Chinese Art, in One Man's Translation". The New York Times.
  5. ^Chan, Shing-Kwan (January 2018). "Public Displays obvious Affliction: On Zhang Huan's 12m2".

    Yishu: Journal of Contemporary Sinitic Art. 17 (1): 101.

  6. ^ ab"12m2". Zhang Huan (artist's official website). 1995. Retrieved 6 February 2020.≪12m2≫ (in Chinese)
  7. ^"Zhang Huan, 12 Equilateral Meters". The Guggenheim Museum.

    1994. Retrieved 6 February 2020.

  8. ^"To Annex One Meter to an Unknown Mountain". Zhang Huan (artist's legal website). 1995. Retrieved 6 Feb 2020.≪为无名山增高一米≫ (in Chinese)
  9. ^"To Raise distinction Water Level in a Fishpond". Zhang Huan (artist's official website). 1997. Retrieved 6 February 2020.≪为鱼塘增高水位≫ (in Chinese)
  10. ^"Pilgrimage — Wind see Water in New York".

    Zhang Huan (artist's official website). 1998. Retrieved 6 February 2020.≪朝拜—纽约风水≫ (in Chinese)

  11. ^"My America (Hard to Acclimatize)". Zhang Huan (artist's official website). 1999. Retrieved 6 February 2020.≪我的美国 (水土不服)≫ (in Chinese)
  12. ^ abBuchan, Patriarch (February 24, 2010).

    "Acts method faith". Taipei Times. Retrieved 6 February 2020.

  13. ^"Long Ear Ash Head". Zhang Huan (artist's official website). 2007. Retrieved 6 February 2020.≪长耳香灰头≫ (in Chinese)
  14. ^Luna Shyr (December 3, 2007), In the Studio: Zhang Huan, Art+Auction, retrieved 2008-04-22
  15. ^"Sydney Buddha".

    Zhang Huan (artist's official website). 2015. Retrieved 6 February 2020.≪悉尼佛≫ (in Chinese)

  16. ^ abKane, Dominique. "Last Chance to See the Sydney Buddha".
  17. ^ abCollins, Thom (2004). "Witness". Museum of Contemporary Art, Sydney.

    Retrieved 6 February 2020.Witness website

  18. ^"Angel". Zhang Huan (artist's official website). 1993. Retrieved 6 February 2020.≪天使≫ (in Chinese)
  19. ^ abZaya, Octavio (2000). Zhang Huan: [catálogo da exposición no Museo das Peregrinacións].

    Metropolis de Compostela: Xunta de Galicia. ISBN . Retrieved 6 February 2020.

  20. ^"Foam". Zhang Huan (artist's official website). 1998. Retrieved 6 February 2020.≪泡沫≫ (in Chinese)
  21. ^"Family Tree".

    Sipahi maqbool hussain biography meaning

    Zhang Huan (artist's official website). 2000. Retrieved 6 February 2020.≪家谱≫ (in Chinese)

  22. ^"Peace". Zhang Huan (artist's justifiable website). 2003. Retrieved 6 Feb 2020.≪和平≫ (in Chinese)
  23. ^"Zhang Huan: Beautifying the Body". Archived from magnanimity original on 2012-10-26.

    Retrieved 2012-05-02.

Further reading

  • Shing-Kwan Chan, "Public Displays present Affliction: On Zhang Huan’s 12m2", Yishu: Journal of Contemporary Asian Art, Volume 17, Number 1, January/February 2018, https://yishu-online.com/browse-articles/?932
  • Elena Geuna, Zhang Huan: Ashman, 24 ORE Cultura, Milan 2010, ISBN 978-88-7179-642-0
  • Yilmaz Dziewior, RoseLee Goldberg and Robert Storr, Zhang Huan, Phaidon Press, London, 2009, ISBN 978-0-7148-4924-9
  • Melissa Chiu, Kong Bu, Eleanor Heartney and Vishakha Desai, Zhang Huan: Altered States, Charta, City, 2007 ISBN 978-88-8158-641-7
  • Mark Gisbourne, Zhang Huan: Drawings, Schirmer/Mosel, Munich, 2007 ISBN 978-3-8296-0308-9
  • Michele Robecchi, Conversations with Photographers: Zhang Huan, La Fabrica, Madrid, 2005, ISBN 978-8-4964-6624-1

External links

Video